Édith PIAF – Deja Vu, Definitive Gold 2006

Édith PIAF – Deja Vu, Definitive Gold 2006


In 1935 Piaf was discovered in the Pigalle area of Paris by nightclub owner Louis Leplée, whose club Le Gerny off the Champs-Élysées was frequented by the upper and lower classes alike. He persuaded her to sing despite her extreme nervousness, which, combined with her height of only 142 centimetres (4 ft 8 in), inspired him to give her the nickname that would stay with her for the rest of her life and serve as her stage name, La Môme Piaf (Parigot translatable as “The Waif Sparrow”, “The Little Sparrow”, or “Kid Sparrow”). Leplée taught her the basics of stage presence and told her to wear a black dress, later to become her trademark apparel. Leplée ran an intense publicity campaign leading up to her opening night, attracting the presence of many celebrities, including actor Maurice Chevalier.Her nightclub gigs led to her first two records produced that same year, with one of them penned by Marguerite Monnot, a collaborator throughout Piaf’s life.

On 6 April 1936,Leplée was murdered and Piaf was questioned and accused as an accessory, but was acquitted.Leplée had been killed by mobsters with previous ties to Piaf. A barrage of negative media attention now threatened her career. To rehabilitate her image, she recruited Raymond Asso, with whom she would become romantically involved. He changed her stage name to “Édith Piaf”, barred undesirable acquaintances from seeing her, and commissioned Monnot to write songs that reflected or alluded to Piaf’s previous life on the streets.

In 1940, Édith co-starred in Jean Cocteau’s successful one-act play Le Bel Indifférent.She began forming friendships with prominent people, including Chevalier and poet Jacques Borgeat. She wrote the lyrics of many of her songs and collaborated with composers on the tunes. In 1944, she discovered Yves Montand in Paris, made him part of her act, and became his mentor and lover.[10] Within a year, he became one of the most famous singers in France, and she broke off their relationship when he had become almost as popular as she was.
During this time she was in great demand and very successful in Paris as France’s most popular entertainer. After the war, she became known internationally, touring Europe, the United States, and South America. In Paris, she gave Atahualpa Yupanqui (Héctor Roberto Chavero)—the most important Argentine musician of folklore—the opportunity to share the scene, making his debut in July 1950. She helped launch the career of Charles Aznavour in the early 1950s, taking him on tour with her in France and the United States and recording some of his songs.At first she met with little success with U.S. audiences, who regarded her as downcast. After a glowing review by a prominent New York critic, however, her popularity grew, to the point where she eventually appeared on The Ed Sullivan Show eight times and at Carnegie Hall twice (1956and 1957).

Édith Piaf’s signature song “La vie en rose” was written in 1945 and was voted a Grammy Hall of Fame Award in 1998.

Bruno Coquatrix’s famous Paris Olympia music hall is where Piaf achieved lasting fame, giving several series of concerts at the hall, the most famous venue in Paris,between January 1955 and October 1962. Excerpts from five of these concerts (1955, 1956, 1958, 1961, 1962) were issued on record and CD and have never been out of print. The 1961 concerts were promised by Piaf in an effort to save the venue from bankruptcy and where she debuted her song “Non, je ne regrette rien”.In April 1963, Piaf recorded her last song, “L’homme de Berlin”.

01. Fais-moi valser (3:24)
02. L’étranger (3:30)
03. Mon amant de la coloniale (3:14)
04. Y avait du soleil (3:19)
05. Mon aperò (3:41)
06. Les Hiboux (3:26)
07. Mon légionnaire (3:53)
08. Un jeune homme chantait (2:59)
09. Paris Mediterranée (3:08)
10. Browning (3:22)
11. Ding din don (3:33)
12. Entre Saint-Quen et Clignancourt (3:05)
13. Dans un bouge du vieux port (3:06)
14. Ne m’ecris pas (3:32)
15. Le contrebandier (2:55)
16. Mon coeur ést au coin d’une rue (3:05)

01. Correqu’ et réguyer (3:20)
02. C’est toi le plus fort (2:35)
03. Tout fou le camp (2:25)
04. Le Chacal (3:09)
05. Partance (2:41)
06. Le grand voyage du pauvre negre (3:47)
07. Le fanion de la legion (3:23)
08. Madeleine qu’avait du cœur (3:25)
09. C’est lui que mon cœur a choisi (3:25)
10. Le mauvais matelot (3:43)
11. J’entends la sirene (3:07)
12. Les marins ca fait des voyages (3:35)
13. Je n’en connais pas la fin (3:19)
14. Les deux copains (2:58)
15. Le petit monsieur triste (2:49)
16. Elle frequentait la rue Pigalle (3:33)

01. L’accordeoniste (3:14)
02. Embrasse-moi (2:54)
03. Jimmy c’est lui (2:57)
04. Sur une colline (2:59)
05. ‘Y en a un de trop (2:51)
06. On danse sur ma chanson (4:11)
07. C’est la moindre des choses (4:10)
08. C’est un monsieur tres distingue (3:38)
09. C’etait un jour de fete (3:56)
10. J’ai danse avec l’amour (3:18)
11. Ou sont-ils mes petits copains (3:31)
12. Le vagabond (3:24)
13. C’etait un histoire d’amour (4:22)
14. Un coin tout bleu (2:45)
15. Simple comme bonjour (2:57)
16. J’ai qu’a le regarder (3:16)

01. Le disque use (4:08)
02. Histoire de cœur (4:48)
03. Tu es partout (2:53)
04. Le brun et le blond (3:11)
05. ‘Y a pas d’printemps (2:42)
06. Coup de grisou (4:26)
07. C’est toujours la meme histoire (4:18)
08. Le chasseur de l’hotel (3:43)
09. Regarde-moi toujours comme ca (3:49)
10. De l’autre cote de la rue (3:25)
11. La vie en rose (3:10)
12. Les amants de Paris (3:16)
13. Pour moi tout seule (3:26)
14. Hymne a l’amour (3:29)
15. C’est un gars (3:19)
16. La fete continue (3:06)

01. A l’enseigne de la fille sans coeur (3:28)
02. Je hais les dimanches (3:23)
03. Padam Padam (3:17)
04. C’est toi (3:42)
05. J’m’en fou pas mal (4:20)
06. Je t’ai dans la peau (2:47)
07. Johnny tu n’es pas un ange (2:13)
08. Bravo pour le clown (3:07)
09. Heureuse (3:20)
10. La goualante du pauvre Jean (2:03)
11. Sous le ciel de Paris (3:35)
12. Le “ca ira” (2:25)
13. C’est a Hambourg (3:04)
14. L’accordeoniste (Live At L’olympia) (3:36)
15. Comme moi (2:59)
16. Salle d’attente (3:38)

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