Archive for the Tania MARIA Category

Tania MARIA – Outrageous 1993

Posted in JAZZ, Tania MARIA on December 19, 2010 by whoisthemonk

Tania MARIA – Outrageous  1993


Tania Maria sticks to Brazilian pop music on her concise but unremarkable program. The entire focus is on her vocals and there is little or no improvising over the repetitious vamps. The closer one listens to the admittedly danceable music, the more tedious it sounds.
By Scott Yanow. AMG.
Don Alias- Percussion
Tom Barney- Bass
Sergio Brandao- Bass
Reinaldo Fernandes- Repique
Darryl Jones- Bass
Zé Luis Flute, Sax (Soprano), Sax (Tenor)
Tania Maria Synthesizer, Piano, Arranger, Keyboards, Vocals, Vocals (Bckgr)
Rio- Vocals
Ricky Sebastian- Drums
Claudio Silva- Pandeiro
Jorge Silva- Tambourine
Mitch Stein- Guitar, Mandolin
Buddy Williams- Drums
Dan Carillo- Guitar
John Purcell- Soprano & Alto Sax
01. Dear Dee Vee (4:42)
Flute, Saxophone [Tenor] – Zé Luis
Piano [Acoustic] – Tania Maria
02. Confusion (3:35)
Bass – Tom Barney
03. She’s Outrageous (6:47)
Percussion – Jorge Silva
Saxophone [Soprano] – Zé Luis
04. Bom Bom Bom Tchi Tchi Tchi (4:56)
05. Happiness (5:03)
Vocals [Hip Hop Bop Singer] – Rio (31)
06. Amei De Mais (I Loved Too Much) (4:27)
Pandeiro – Jorge Silva
07. Tá Tudo Certo (Everything Is Fine) (4:50)
Saxophone [Tenor] – Zé Luis
Tambourine – Jorge Silva
08. I Can Do It (4:53)
Mandolin – Mitch Stein
09. Minha Mãe (My Mother) (4:52)
10. Happiness 2 (4:10)
Bass – Tom Barney
11. Granada (5:31)
Written-By – Austin Lara
12. Granada Vignette (1:04)
Written-By – Austin Lara

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Tania MARIA – Viva Brazil 2000

Posted in JAZZ, Tania MARIA on November 18, 2010 by whoisthemonk

Tania MARIA – Viva Brazil 2000


Brazilian singer/pianist/composer Tania Maria launched her career in France in the 1970s and sounds as energetic as ever. One of the original crossover artists, she combines classic Brazilian rhythms and sensibility with funk, jazz, pop, and a splash of rock & roll. Tania Maria is instantly recognizable: nobody would confuse her strong, lusty, distinctive voice and playful piano style (including those dissonant three-note fills) with anyone else. This CD contains one of her signature tunes, “It’s Only Love,” updated with Cacao’s soulful sax as well as some experiments. There’s a percussion-infused version of Sidney Bechet’s well-known “Petite Fleur,” which works so well it’s the highlight of the CD, and a slow ballad take on “One Note Samba,” which doesn’t. The melody simply isn’t interesting enough to elongate. But there are better moments here: the funky bass work and churning percussion on “Encanto Meu,” “Nao Se Avexe Nao,” and “Sangria,” which is served up hot, with Tania Maria’s fiery, Cuban-style solo and comping; the syncopated party pulse on “Vem Pr’a Roda”; and the sexy, laid-back swing on “Amei Demais.” Her singing is so expressive it makes one wish that English translations of the lyrics were provided. Tania Maria’s mischievous humor really comes out in her electrifying live performances, but there are hints of it here in her laughing countdown to one track and the background chorus of “Whoa!” on another. This veteran is one of a kind, and this CD is a good introduction to her sound and a must-have for fans.
By Judith Schlesinger, All Music Guide.
Internationally renowned for her exhilarating vocals and keyboard artistry Tania Maria’s music is a unique combination of jazz, funk and the popular music of her native Brazil. She has created an eclectic fusion that is more exciting than pure jazz and appeals to a great variety of audiences around the world.

Tania Maria’s first album ‘Olha Quem Chega’ was released in Brazil in 1971, but it was a move to France in the late 1970s that exploded Tania onto the international scene, bringing her to the attention of Concord Records. A move to New York followed and in 1983 she released the album ‘Come With Me’, the title track of which became a huge international smash hit, and is still played in soul and jazz clubs all over Europe, Japan and America.

Tania Maria is now settled again in France and continues to tour and record extensively with her dynamic new group, wowing club and festival audiences wherever she appears. A recent appearance at the Jazz Cafe in London had the hardened clubbers and dancers declaring it the best gig in years!

In the 1990s Tania has entered a particularly productive period in her career and with Brazilian music enjoying an international resurgence her unique sound is again very much the sound of the moment. Tania describes her new album VIVA BRAZIL, recorded with her current group, as a dream come true: “The idea for Viva Brazil was a dream that came to life. It’s a beautiful album that brings me straight to my roots, to my childhood, to the hot and sweaty rhythms that caress my soul and which takes me back to Brazilian musicians who helped me to spread this musical fragance. I would say that this album is a perfume composed from magical essences.”

Tania was born in Brazil and it was there, at the tender age of 7, that she began her musical training, playing the piano. An early interest in her country’s popular music developed into a fascination for jazz and she first became a leader at the age of 13, performing with her own Brazilian ensemble. Surrounded by music Tania couldn’t help but absorb the sounds around her, the rhythms and melodies of samba, jazz, popular music, blues and Brazilian chorinho.

Early influences such as Oscar Peterson, Bill Evans, Sarah Vaughan, Antonio Carlos Jobim, and Milton Nascimento, helped to create the syntheses of sounds that has become synonymous with the individual style of Tania Maria. Her arrangements began to fuse Brazilian rhythms and Caribbean salsa with the more improvised expression which is associated with jazz.

For all her travel and influences, Tania remains very much a Brazilian at heart and it is the essence of Tania Maria that is distilled perfectly on her new album VIVA BRAZIL. It is, however, much more than a tribute to Brazil. It is a personal statement, a reflection of what it means to be Tania Maria, a Brazilian musician and a woman.
Tania Maria- Piano, Synthesizer and Vocals
Cacao- saxophone, Flute and Clarinet
Coro Blvd Voltaire- Background Vocals
Marc Bertauz- Bass
Carlos Werneck- Bass
Mestre Carneiro- Percussions
Luiz Augusto Cavani- Drums & Percussion
Stephane Huchard- Drums
01. Florzinha “Petite Fleur” 5:03
02. Tá Tudo Certo & Mas Que Nada 5:23
03. Sebastiana 4:40
04. Encanto Meu 2:47
05. Vem Pr’a Roda 4:27
06. It’s Only Love 3:56
07. One Note Samba 8:26
08. Não Se Avexe Não 5:46
09. Amei Demais 3:35
10. Sangria 4:00
11. Conceicao 4:14

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